ROLLING STONES DRUMMER CHARLIE WATTS TALKS ABOUT GETTING BACK ON THE ROAD
SO, CHARLIE, the Stones are playing Glastonbury! Excited?
I don’t want to do it. Everyone else does. I don’t
like playing outdoors, and I certainly don’t like festivals. I’ve always
thought they’re nothing to do with playing...
But that’s me, personally. When you’re a band... you do anything and everything.
But Glastonbury, it’s old hat really. I never liked the hippy thing to start with.
It’s not what I’d like to do for a weekend, I can tell you.
The worst thing playing outdoors is when the wind blows, if you’re a drummer, because the cymbals move... it really is hard to play then.
Well, you’re also playing Hyde Park this summer. What do you remember about your famous gig there in 1969?
Oh, quite a lot. The Dorchester! That was our dressing room. And [the Stones manager] Allen Klein walking about like Napoleon.
He was the same kind of shape.
And the armoured van going into the crowd. I had to rush around and get my silver trousers done for it.
And then Mick Taylor, of course, it was his first big gig. And my wife got hit with a stale sandwich. I remember her going mad with that. I don’t blame her.
She got hit on the back. She reckoned it was stale because it obviously hurt a lot.
The butterflies [which were released into the crowd].
I didn’t like that, because the casualty rate was worse than the Somme. Half of them went woosh. And the other half of them were dead.
Were you still in shock from Brian [Jones]’s death?
Shock? Brian dying? No. It was very sad but it wasn’t unexpected.
We’d carried him for a few tours and he was quite ill.
We were young, we didn’t know what was wrong with him. I still don’t really.
He always suffered from terrible asthma, and he drank heavily on the road and he got into drugs before anyone else in the band.
It was a question of, “Do we carry on?”
With a lot of big stadium bands these days, it feels like the staging of the show is the most important thing, whereas the Stones still strike me as being a real band. Sometimes you’re good and sometimes... less so.
Mick [Jagger] is the show, really. We back him. But Mick wouldn’t dance well if the sound was bad. It doesn’t come into it with a lot of bands because the lead singer just stands there.
We’ve always been about playing it properly. I don’t mean technically brilliant...
The rest is candyfloss, it’s froth.
You know, the costumes you’re wearing, that’s... [shrugs] What you’re really doing is playing the drums or the guitar.
Given your jazz background, was it a bit of a comedown when you joined the Stones?
It was more of a shock joining Alexis Korner. I’d never played with a harmonica player before – I couldn’t believe Cyril Davies when he started playing!
We only played out of London once, in Birmingham.
Cyril got £1 because he was a professional musician; so did [sax player] Dick Heckstall-Smith and [bassist] Jack Bruce. I wasn’t so I got half-a-crown (12½p). Fantastic, isn’t it? Half-a-crown!
The Stones were just another gig, but then we started touring around England... I was waiting to start another job, but I never went back to it.
I was a bit out of sync with all of them, Brian, Mick and Keith [Richards], but Keith taught me to listen to Buddy Holly and things like that. Mick taught me a lot about playing with songs, really, the melodies and that.
What was your big problem with the hippies when that all started?
I wasn’t a great one for the philosophy and I thought the clothes were horrendous, even then.
So what did you think of the rest of the Stones in their Satanic Majesties phase?
I didn’t mind them doing it. Brian was the first one at it. I remember him doing the London Palladium with his bloody hat on, and his pipe and sitar... fantastic.
Brian was the first one to know and meet as a friend Bob Dylan, and Jimi Hendrix. He used to be fun in those days.
You said the band did its best work with Mick Taylor. What’s your favourite Stones song?
God, I don’t really have one to be honest, I don’t really listen to them that much.
Do you think Bill [Wyman] made a mistake in leaving the group?
No, not a mistake, because he was in the middle of a terrible marriage that he should never have got into – he had a horrendous time with the Mandy girl – and he then married a very good woman and had three children very quickly... and he was very, very happy.
But it was a shame he left because (a) it was great having him and (b) I think he missed out on a very lucrative period in our existence.
There were very sparse periods you went through building the band and he didn't really reap the rewards that we do now.
Have there been times when you've thought about knocking it on the head?
I thought that before the O2, but it as actually very comfortable to do. It was good fun.
But you had misgivings.
Misgivings? Yeah, oh yeah, I always do. It’s a young person’s [game].
The thing I find difficult is that 50% of it is image, not my side of it, but it is, and as you get a bit older you think: “Oh gawd!”
I don’t like looking at the pictures. I think Bowie looks all right.
For some reason everyone’s talking about David Bowie at the moment. But he does look good. Some others haven’t weathered so well.
And some guys who were really on fire haven’t made it. It can take its toll on you. Without you knowing, or caring at the time, because you don’t care when you’re in your 30s or 40s.
Was it fun playing with Mick [Taylor] and Bill again at the O2 show?
It was great. I loved it.
And what about your guests, there and in the States?
It was really good. We were lucky we had Jeff Beck. He’s a phenomenal player.
What about the younger bunch like Florence + The Machine?
Florence, she was all right. Lady Gaga was a really good sport. But they hung about with my granddaughter more than they did with me. We’re silly old farts! I think Mick tries to keep up with them...
As well as Hyde Park, you’ve also announced a US tour.
It’s a very short tour for us. It’s only 18 shows. It’s nothing.
Who’s the driving force in putting the band back on the road?
Well, you wouldn’t do it if Mick didn’t want to do it. You’ve got to have Mick and Keith, but the driving force is Mick.
If he’s enthusiastic, he’ll push everyone along. Keith’s much more laid back about it.
Are they getting on well? Keith was quite rude about Mick in his book.
Oh yeah. Oh, that. Brothers, innit? Brothers in arms. You just let it take its course, really, things like that.
Does it ever feel like you’re just going through the motions on stage?
Sometimes you’re pot-boiling. Sometimes you’re on song.
So will you get to a point where you say: “That’s it, no more?”
You do now seriously have to look at your age, because if this goes on for another two years, I’ll be 73.
But I say that at the end of every tour.
And then you have two weeks off and your wife says: “Aren’t you going to work?”
But that’s me, personally. When you’re a band... you do anything and everything.
But Glastonbury, it’s old hat really. I never liked the hippy thing to start with.
It’s not what I’d like to do for a weekend, I can tell you.
The worst thing playing outdoors is when the wind blows, if you’re a drummer, because the cymbals move... it really is hard to play then.
Well, you’re also playing Hyde Park this summer. What do you remember about your famous gig there in 1969?
Oh, quite a lot. The Dorchester! That was our dressing room. And [the Stones manager] Allen Klein walking about like Napoleon.
He was the same kind of shape.
And the armoured van going into the crowd. I had to rush around and get my silver trousers done for it.
And then Mick Taylor, of course, it was his first big gig. And my wife got hit with a stale sandwich. I remember her going mad with that. I don’t blame her.
She got hit on the back. She reckoned it was stale because it obviously hurt a lot.
The butterflies [which were released into the crowd].
I didn’t like that, because the casualty rate was worse than the Somme. Half of them went woosh. And the other half of them were dead.
Were you still in shock from Brian [Jones]’s death?
Shock? Brian dying? No. It was very sad but it wasn’t unexpected.
We’d carried him for a few tours and he was quite ill.
We were young, we didn’t know what was wrong with him. I still don’t really.
He always suffered from terrible asthma, and he drank heavily on the road and he got into drugs before anyone else in the band.
It was a question of, “Do we carry on?”
With a lot of big stadium bands these days, it feels like the staging of the show is the most important thing, whereas the Stones still strike me as being a real band. Sometimes you’re good and sometimes... less so.
Mick [Jagger] is the show, really. We back him. But Mick wouldn’t dance well if the sound was bad. It doesn’t come into it with a lot of bands because the lead singer just stands there.
We’ve always been about playing it properly. I don’t mean technically brilliant...
The rest is candyfloss, it’s froth.
You know, the costumes you’re wearing, that’s... [shrugs] What you’re really doing is playing the drums or the guitar.
Given your jazz background, was it a bit of a comedown when you joined the Stones?
It was more of a shock joining Alexis Korner. I’d never played with a harmonica player before – I couldn’t believe Cyril Davies when he started playing!
We only played out of London once, in Birmingham.
Cyril got £1 because he was a professional musician; so did [sax player] Dick Heckstall-Smith and [bassist] Jack Bruce. I wasn’t so I got half-a-crown (12½p). Fantastic, isn’t it? Half-a-crown!
The Stones were just another gig, but then we started touring around England... I was waiting to start another job, but I never went back to it.
I was a bit out of sync with all of them, Brian, Mick and Keith [Richards], but Keith taught me to listen to Buddy Holly and things like that. Mick taught me a lot about playing with songs, really, the melodies and that.
What was your big problem with the hippies when that all started?
I wasn’t a great one for the philosophy and I thought the clothes were horrendous, even then.
So what did you think of the rest of the Stones in their Satanic Majesties phase?
I didn’t mind them doing it. Brian was the first one at it. I remember him doing the London Palladium with his bloody hat on, and his pipe and sitar... fantastic.
Brian was the first one to know and meet as a friend Bob Dylan, and Jimi Hendrix. He used to be fun in those days.
You said the band did its best work with Mick Taylor. What’s your favourite Stones song?
God, I don’t really have one to be honest, I don’t really listen to them that much.
Do you think Bill [Wyman] made a mistake in leaving the group?
No, not a mistake, because he was in the middle of a terrible marriage that he should never have got into – he had a horrendous time with the Mandy girl – and he then married a very good woman and had three children very quickly... and he was very, very happy.
But it was a shame he left because (a) it was great having him and (b) I think he missed out on a very lucrative period in our existence.
There were very sparse periods you went through building the band and he didn't really reap the rewards that we do now.
Have there been times when you've thought about knocking it on the head?
I thought that before the O2, but it as actually very comfortable to do. It was good fun.
But you had misgivings.
Misgivings? Yeah, oh yeah, I always do. It’s a young person’s [game].
The thing I find difficult is that 50% of it is image, not my side of it, but it is, and as you get a bit older you think: “Oh gawd!”
I don’t like looking at the pictures. I think Bowie looks all right.
For some reason everyone’s talking about David Bowie at the moment. But he does look good. Some others haven’t weathered so well.
And some guys who were really on fire haven’t made it. It can take its toll on you. Without you knowing, or caring at the time, because you don’t care when you’re in your 30s or 40s.
Was it fun playing with Mick [Taylor] and Bill again at the O2 show?
It was great. I loved it.
And what about your guests, there and in the States?
It was really good. We were lucky we had Jeff Beck. He’s a phenomenal player.
What about the younger bunch like Florence + The Machine?
Florence, she was all right. Lady Gaga was a really good sport. But they hung about with my granddaughter more than they did with me. We’re silly old farts! I think Mick tries to keep up with them...
As well as Hyde Park, you’ve also announced a US tour.
It’s a very short tour for us. It’s only 18 shows. It’s nothing.
Who’s the driving force in putting the band back on the road?
Well, you wouldn’t do it if Mick didn’t want to do it. You’ve got to have Mick and Keith, but the driving force is Mick.
If he’s enthusiastic, he’ll push everyone along. Keith’s much more laid back about it.
Are they getting on well? Keith was quite rude about Mick in his book.
Oh yeah. Oh, that. Brothers, innit? Brothers in arms. You just let it take its course, really, things like that.
Does it ever feel like you’re just going through the motions on stage?
Sometimes you’re pot-boiling. Sometimes you’re on song.
So will you get to a point where you say: “That’s it, no more?”
You do now seriously have to look at your age, because if this goes on for another two years, I’ll be 73.
But I say that at the end of every tour.
And then you have two weeks off and your wife says: “Aren’t you going to work?”
