Wednesday, September 21, 2011

Second Nature Photography By Bill Wyman

Projects » Archaeology » Second Nature photo exhibition
21- September 2011
Second Nature
Photography By Bill Wyman

October 5 to November 30
KENNY SCHACHTER ROVE
Lincoln House
33-34 Hoxton Square
London N1 6NN

Opening hours:
Monday - Saturday 10am - 6pm and by appointment
+44 (0) 7525 039 582
schachter@mindspring.com
www.rovetv.net
www.billwymanarchive.co.uk

For thirty years Bill Wyman was the bass player of the most famous rock band in the world, the Rolling Stones. Lesser known is the fact that he has been photographing everything from his band mates, to other celebrities, to landscapes and nature.

Though they are artfully composed with tremendous attention to detail, colour and composition, Bill never considered his own works “art” though they indisputably are. A small part of this archive has been published in five successful books which he has released since 1990, and there have been a few exhibitions in America, Holland, Monaco and the South of France, where Bill has maintained a residence since the 70’s, but the photographs have never before been exhibited in London - until this Autumn.

In this exhibition of prints, most on display will be in colour and most have never been exhibited before. With his unparalleled access, the portrait photos form a perfect counterpoint to the mass imagery, which has spread throughout the world’s magazines over the decades. The photos not only chart the years during Bill’s tenure with the Stones, but also feature friends from the music industry, where his subjects are captured in rare, relaxed and unguarded moments.

Like the undiscovered work of an outsider artist toiling away for decades, it is as if a fully matured, massive body of work has appeared untouched, unseen and from nowhere. It is a truly profound and insightful record of the past 45 years encompassing everything from celebrities to landscapes and the natural world.

‘I am extremely pleased to have kept my photographs since I started taking them in the mid-1960’s.’ Bill says. ‘And I’m very proud that a selection of these will finally be exhibited in London, where I was born and brought up.’

Accompanying the long-awaited London exhibition there will be a publication with text by Hans Ulrich Obrist, world-renowned Director of the Serpentine Gallery Museum in London. In addition to a boxed set of 40 prints of early Rolling Stones material from the 1960s-80s, there will be an assortment of large format photographs depicting landscapes, nature, and personalities from music, art and film.

Fifty percent of the proceeds from sales of a portfolio of 40 will be donated to Outset Family, a philanthropic initiative dedicated to supporting art education programs including The Art Room, ‘Get the Message’ at Camden Arts Centre and Paintings in Hospitals. Outset Family is part of Outset Contemporary Art Fund.

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London N1 6NN

Opening hours:
Monday - Saturday 10am - 6pm and by appointment
+44 (0) 7525 039 582
schachter@mindspring.com
www.rovetv.net
www.billwymanarchive.co.uk

For thirty years Bill Wyman was the bass player of the most famous rock band in the world, the Rolling Stones. Lesser known is the fact that he has been photographing everything from his band mates, to other celebrities, to landscapes and nature.

Though they are artfully composed with tremendous attention to detail, colour and composition, Bill never considered his own works “art” though they indisputably are. A small part of this archive has been published in five successful books which he has released since 1990, and there have been a few exhibitions in America, Holland, Monaco and the South of France, where Bill has maintained a residence since the 70’s, but the photographs have never before been exhibited in London - until this Autumn.

In this exhibition of prints, most on display will be in colour and most have never been exhibited before. With his unparalleled access, the portrait photos form a perfect counterpoint to the mass imagery, which has spread throughout the world’s magazines over the decades. The photos not only chart the years during Bill’s tenure with the Stones, but also feature friends from the music industry, where his subjects are captured in rare, relaxed and unguarded moments.

Like the undiscovered work of an outsider artist toiling away for decades, it is as if a fully matured, massive body of work has appeared untouched, unseen and from nowhere. It is a truly profound and insightful record of the past 45 years encompassing everything from celebrities to landscapes and the natural world.

‘I am extremely pleased to have kept my photographs since I started taking them in the mid-1960’s.’ Bill says. ‘And I’m very proud that a selection of these will finally be exhibited in London, where I was born and brought up.’

Accompanying the long-awaited London exhibition there will be a publication with text by Hans Ulrich Obrist, world-renowned Director of the Serpentine Gallery Museum in London. In addition to a boxed set of 40 prints of early Rolling Stones material from the 1960s-80s, there will be an assortment of large format photographs depicting landscapes, nature, and personalities from music, art and film.

Fifty percent of the proceeds from sales of a portfolio of 40 will be donated to Outset Family, a philanthropic initiative dedicated to supporting art education programs including The Art Room, ‘Get the Message’ at Camden Arts Centre and Paintings in Hospitals. Outset Family is part of Outset Contemporary Art Fund.

***FRESH NEWS*** 21/11/11

Jagger's new band, formed on a whim, gets Superheavy


Mick Jagger bows after performing ''Everybody Needs Someone to Love'' at the 53rd annual Grammy Awards in Los Angeles, California February 13, 2011. REUTERS/Lucy Nicholson/Files

NEW YORK | Wed Sep 21, 2011 1:31pm IST

(Reuters) - Dave Stewart went to the hilltop and called on a higher rock star -- Mick Jagger. Thus began Superheavy, a project shrouded in secrecy for two years and now with one album released this week to its credit

Stewart, founder of the Eurythmics, rang the Rolling Stones frontman from a hilltop in Jamaica with the idea of forming a super group from different genres.

They brought together British soul singer Joss Stone, reggae artist Damian Marley and composer A.R. Rahman, the Oscar-winning composer behind the "Slumdog Millionaire" score, to form Superheavy, which produced a record of the same name.

They tested the idea with a two-hour studio session in Los Angeles two years ago, producing what Stewart called "this huge noise."

"That gave us a lot of confidence," Jagger told Reuters with all his bandmates, except Marley, the youngest son of the late Bob Marley. "We got a lot of songs. It wasn't just jams and noise. We had a lot of songs, choruses, all this stuff going that really made us feel better about moving on."

Two, separate 10-day studio sessions followed when nearly all the recording took place. After two years of mixing and arranging -- including artwork by Shepard Fairey, who created the "Hope" poster of Barack Obama -- a record was born.

Not surprisingly given the band's makeup, Superheavy the album is a sort of mash-up of styles. In a four-star review, Rollingstone.com calls the track "Energy" a U2-style synth-pop jam, and says "Satyameva Jayathe" has Jagger and Rahman singing Hindi verses over a Celtic-Indian fiddle.

Other songs include the title track "Superheavy" and "Miracle Worker," a video of which is posted on YouTube, has a reggae beat and features Marley, Stone and Jagger all singing on an urban street, complete with Indian dancers.

In its early review, the Washington Post writes, "'SuperHeavy' features a little bit of everything -- corporate rock, Indian pop sung in Urdu and a rapping Jagger. Save for a raggedy ragga vibe, there's no connective tissue holding these songs together."

"Superheavy" is unlikely to share the lasting success of the Stones' hit albums like "Exile on Main Street," Eurythmics' singles such as "Sweet Dreams (Are Made of This)" or maybe even Joss Stone's CD "Mind, Body & Soul," but the record certainly appears to have entertained the five artists behind it.

"I didn't get any special treatment," Stone said of being the only woman in the group. "I feel like I'm one of the lads. I like that."

And the formation of Superheavy seems to be a whimsical experiment that satisfied the musicians enough to release the record -- even after two years of work.

"We didn't know which way it was going to come out, or if it was going to come out at all," Stewart said. "If we didn't like it we could just throw it away. We weren't under any contract or anything."

(Reporting by Alicia Powell; Writing by Daniel Trotta; Editing by Bob Tourtellotte)

************21/SEP/2011***************

Playing, and partying, with the Stones

  • Article by: JON BREAM , Star Tribune
  • Updated: September 21, 2011

Saxophonist Bobby Keys is coming to Minneapolis to talk about the Rolling Stones, Keith Richards and a Chuck Berry movie.

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Rolling Stones saxophonist Bobby Keys played with the Rolling Stones on many of their classic albums.

Photo: PETER PERRELLA, Star Tribune

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As a kid, Bobby Keys used to watch Buddy Holly rehearse in a Lubbock, Texas, garage. While playing sax for Bobby Vee in '64, Keys met the Rolling Stones in San Antonio. In '69, he became the Stones' saxophonist, providing those classic solos on "Brown Sugar," "Emotional Rescue" and other hits.

Keys also became best buddies and party partners with Keith Richards. He was with Richards when the guitarist organized the tribute to Chuck Berry that became the 1987 movie "Hail! Hail! Rock 'n' Roll." Keys will be in Minneapolis Thursday to speak before a screening of that Taylor Hackford film at the Parkway Theater. The saxophonist also has worked with Elvis Presley, John Lennon, the Who, Joe Cocker, Eric Clapton, Sheryl Crow and Barbra Streisand, among others.

By phone from his Nashville home, Keys, 67, answered a few questions about Berry, the Stones, Richards and himself.

On his most vivid memories of the concert in St. Louis that became "Hail! Hail!":

"Watching the interaction during the rehearsals between Keith and Chuck was fun. A few sparks flew. I was sitting on a piano bench with Johnnie Johnson when I heard the voices getting a little louder. It's a matter of, do you play it Chuck Berry's way or do you play it my way?"

On why he gets along so well with Richards:

"He seemed like a Texan to me. He reminded me a lot of [Buddy] Holly. He wasn't particularly good-looking but he was convinced. The man had a burning desire in his eye. Also, we were both born the same day, within minutes of each other. Brothers. We've known each other going on 50 years."

On how many TVs he and Richards have dropped out hotel windows (which was depicted in a 1972 Stones documentary):

"We had to send out for a tractor-trailer full of television sets. It was in our rider. They had to put them in every hotel room we were in from Denver on. And we threw one out of each and every window. It became a tradition that still goes on today. It's just like a religion; it's the same thing as Easter morning services. [He laughs.] You know, throwing that one TV set out one time, that has been mentioned more than any other thing having to do with my career."

On how he comes up with those sax solos for Stones songs:

"They'd say: 'Here's the horn solo.' And you play 16 bars, two 12-bar patterns, whatever. So it was just 'stick it in your face and blow.' I took a lot of my cues from the rhythm section, particularly from Keith's rhythm guitar. Like on 'Can't You Hear Me Knockin',' I was sitting in the studio listening to them and I thought it was jam time so I played my horn like I knew what I was doing. Essentially it was a jam, but they used it on the record."

On a rumored Stones tour for 2012:

"It seems like everyone's talking about a tour except the people I know in the band. I don't know. I'm one of the last ones to know. I've been in the band long enough to know asking questions ain't going to get no answers."

On Richards' 2010 memoir, "Life," in which Keys is featured:

"I thought it was great. I laughed. It's one of the funniest things I've read. And accurate. Right now he's writing an introduction for a book I'm having published in the spring. It's called 'Every Night's a Saturday Night.' It's not about the sins and excesses. Everybody's already read the sensationalistic stuff, and that ain't even true. It's a story about music and the people I've been in touch with."

************21/SEP/2011***************

'Some Girls Live in Texas 1978' theatrical release dates, locations announced

The Rolling Stones are coming to movie cinemas worldwide again in a concert film. As previously reported, “Some Girls Live in Texas 1978” is being released for one night only in movie theaters in October 2011, except for in Argentina, when it will be in cinemas in November 2011. The movie will be released by Eagle Vision on DVD and Blu-ray on November 21, 2011.

The dates, cities and locations for the theatrical release have now been announced.

United Kingdom
October 4, 2011 (8:45 p.m. British Summer Time)
(Click here for a list of cinema locations)

United States
October 18, 2011 (7:30 p.m. local time; time zones vary)
(Click here for a list of cinema locations.)

Ireland
October 4, 2011
(Click here for a list of cinema locations.)

Argentina
November 11 and November 12, 2011
(Click here for a list of cinema locations.)

Croatia
October 11 and October 14, 2011
(Click here for a list of cinema locations.)

Denmark
October 10, 2011
(Click here for a list of cinema locations.)

Germany
October 4 and October 11, 2011
(Click here for a list of cinema locations.)

Iceland
October 7 and October 10, 2011
(Click here for a list of cinema locations.)

Latvia
October 4, 2011
(Click here for a list of cinema locations.)

Mexico
October 6 and October 7, 2011
(Click here for a list of cinema locations.)

The Netherlands
October 4, October 5 and October 7, 2011
(Click here for a list of cinema locations.)

South Africa
October 7, October 8 and October 9, 2011
(Click here for a list of cinema locations.)

“Some Girls Live in Texas 1978” was filmed in Forth Worth, Texas, on July 18, 1978, during the band’s tour to promote the Rolling Stones’ 1978 album “Some Girls.” Shot on 16 mm film, the movie that will be shown in theaters has been restored to high definition with 5.1 audio, and the total running time will be 85 to 90 minutes. In addition, the movie will include an August 2011 interview with Rolling Stones lead singer Mick Jagger giving his thoughts on the concert.

Some of the songs performed in the movie include “Miss You,” “Beast of Burden” “Tumbling Dice,” “Honky Tonk Women,” “Brown Sugar,” and “Jumpin’ Jack Flash.”

As previously reported, Universal Music is releasing a remastered reissue of the “Some Girls” album (with previously unreleased tracks), which is due out on November 21, 2011 — the same day as the DVD/Blu-ray releases of “Some Girls Live in Texas 1978.”

The concert film “Ladies and Gentlemen ... The Rolling Stones” had a similar release in 2010: one night only in theatres, followed a month later by the DVD/Blu-ray releases.

Tuesday, September 20, 2011

SuperHeavy - Miracle Worker

SuperHeavy - Miracle Worker

**FRESH NEWS** Joss Stone: Jagger thinks I ignore him

Joss Stone: Jagger thinks I ignore him

Joss Stone says Sir Mick Jagger often thinks she’s not listening to him when he talks.
image: Joss Stone Joss Stone

The British songstress is part of new group SuperHeavy with Mick, Dave Stewart, Damian Marley and A.R. Rahman.

Joss formed a great rapport with the whole band while recording their eclectic 12-track album, and particularly bonded with the Rolling Stones legend. Mick was always on hand to provide words of wisdom, but got impatient when he thought Jess wasn’t taking it on board.

"Yeah, he makes me laugh," she told the LA Times.

"The great thing about Mick is that he's got so much knowledge, and he's always sharing. And I'm always listening. Whenever he thinks I'm not, I am, and I take it all on board."

Mick was also quick to showcase his musical knowledge in other areas. The 68-year-old recalled an interaction with Rahman, who had brought in a Middle Eastern stringed instrument into the studio.

Mick felt smug after identifying the instrument.

"I was very pleased with myself. I said, 'Nice santur part, A.R.' He said, 'How do you know this?'" he recalled.

"It was a very hippy thing to have this Persian classical instrument. Of course, I hadn't heard it since 1967."

Stewart says the premise for the band was based on their individual love of music. The Eurythmics star found the process fascinating, especially how they bonded creatively as time went on.

“It was a very natural and organic meeting of minds and musicality that got refined as we got to know each other while playing with each other," he said. "It got more complex."