Tuesday, June 4, 2013

Rolling Stones wrap up Chicago shows of 2013; Taylor Swift is a guest on stage.!


Rolling Stones wrap up Chicago shows of 2013; Taylor Swift is a guest on stage


On June 3, 2013, the Rolling Stones performed at the United Center in Chicago, where they were joined on stage by guest Taylor Swift for the Stones song "As Tears Go By," according to an announcement on the official Rolling Stones website. Marianne Faithfull, who was Mick Jagger's live-in girlfriend in the mid-to-late 1960s, had the biggest hit of her career in 1964 with "As Tears Go By," which was written by Jagger and Keith Richards. The Rolling Stones later recorded their own version of the song, which was a hit for the Stones in 1965.
























Monday, June 3, 2013

Album compiles best of Rolling Stones' 'Gimme Shelter' singer Merry Clayton...

Album compiles best of Rolling Stones' 'Gimme Shelter' singer Merry Clayton

Merry Clayton's vocal on "Gimme Shelter," plus 16 other songs will be featured on a new compilation. The album's 17 tracks include all of her five Billboard Hot 100 chart singles on Ode Records. The songs include her version of “The Acid Queen” from the Who rock opera as recorded by the London Symphony Orchestra and many guest stars, and covers of songs by James Taylor, Neil Young, Carole King and Bill Withers.
Over the years, she has sung with artists, including Ray Charles, Elvis Presley, the Rolling Stones, Billy Preston, Carole King, Joe Cocker, Leon Russell, Ringo Starr, Taj Mahal and Neil Young.
The release coincides with the June theatrical openings of “20 Feet From Stardom,” a documentary featuring Clayton, Darlene Love and others in the story of the recording industry's backup singers. The soundtrack album to the film featuring Clayton, Love, Lisa Fischer, Tata Vega, Claudia Lennear and others, will be available June 11 on iTunes and June 18 on CD from Columbia Records.
Track list: “1. Southern Man” (D) * 2. “Tell All The People” (C) * 3. “Country Road” (C, Hot 100 #103) * 4. “After All This Time” (D, Hot 100 #71) * 5. “Gimme Shelter” (C, (Hot 100 #73) * 6. “Grandma's Hands” (D) * 7. “Oh No, Not My Baby” (Ode single 66030, originally released 1972, Hot 100 #72) * 8. “Walk On In” (D) * 9. “Bridge Over Troubled Water” (C) * 10. “The Mighty Quinn” by the Brothers and Sisters (featuring Merry Clayton) (A, Ode single ZS7-121, originally released 1969) * 11. “Sho'Nuff” (D) * 12. “Forget It I Got It” (C) * 13. “Keep Your Eye On The Sparrow” (F, Hot 100 #45, Ode single 66110, originally released 1975, from the Universal T.V. series “Baretta”) * 14. “Suspicious Minds” (Ode single 66030, originally released 1972, B-side of Oh No, Not My Baby) * 15. “A Song For You” (D) * 16. “Lift Ev'ry Voice And Sing” (Black National Hymn) (B, Ode single 66011) * 17. “The Acid Queen” - Merry Clayton with the London Symphony Orchestra and London Chamber Choir Conducted by David Measham (E).
Legend:
A - from “Dylan's Gospel” by the Brothers and Sisters (originally released 1969, as Ode 44018)
B - from “Brewster McCloud” original soundtrack (originally released 1970, as MGM 1SE-28ST)
C - from “Gimme Shelter” (originally released 1970, as Ode 77001)
D - from “Merry Clayton” (originally released 1971, as Ode 77012)
E - from “Tommy” (originally released 1972, as Ode 99001)
F - from “Keep Your Eye On The Sparrow” (originally released 1975, as Ode 77

Sunday, June 2, 2013

Mick Jagger predicts rain during Rolling Stones UK gigs...

 Mick Jagger predicts rain during Rolling Stones UK gigs












Sir Mick Jagger predicts it will rain when the Rolling Stones play in the UK this summer.
The 'Brown Sugar' group are headlining Glastonbury festival at the end of June, followed by two shows of the Barclaycard's British Summer Time Hyde Park festival on July 6 and July 13, and lead singer Mick is conscious about how the erratic summer weather could affect their performances.
He said: ''There have been some bad ones at Glastonbury, haven't there? Am I right in saying U2 didn't have such a good time because of the weather? And The Who? Didn't it rain really hard? I just said to Keith [Richards, guitarist], 'We're taking a big risk here doing three Saturdays in an English summer. Do you want to take bets on which ones its rains at?' ''
The rockers - also comprised of Charlie Watts and Ronnie Wood - are busy touring the sunnier climbs of North America before returning to their home country as part of their celebrations of 50 years together as a band, and although he's been cracking a few jokes, Mick is keen not to be too sentimental about the shows.
He added to Q magazine: ''I call it my 'stand up routine'. As its the 50th anniversary, we thought we'd allow ourselves a bit of nostalgia, but leaven it with humour. [But] the Stones are not a sentimental band, and I'm not one for looking back.''

(INTERESTING READING.)Keith Richards interview: 'Exile on Main St.' revisited


Keith Richards interview: 'Exile on Main St.' revisited


Exile
"Exile on Main Street" re-relase.
Keith Richards talks about the forthcoming reissue of the Rolling Stones’ 1972 masterpiece “Exile on Main St.”  Much of the original album was tracked in the basement of the 16-room mansion, Nellcote, that he rented in the south of France during the summer of 1971.
Q: How come we didn’t get more unreleased stuff besides the 10 tracks?

A: That would be a whole ‘nother album. It’s amazing how much stuff was left behind. It was a very prolific year that year. We went through everything we could find. It was an enormous backlog. This was the best we had. Some of them were like 40-year bells going off. “Wow, we didn’t finish that one?”

Q: How did “Plundered my Soul” get left off the original?

A: It was difficult. That was why “Exile” became a double album. The record company wanted a single album, but the damn thing had a life of its own. We probably could’ve made it a triple. We tried to make a single, but it became impossible, like cutting babies in half.

Q: Did you feel like the band was in a great place musically?

A: The vibe was very good. It was a long, hot summer. Not recording in a studio was unique for us, as it was for anybody at the time. Once things got going, it had its own rhythm. With every album you make you go in with that feeling. But maybe that we really were exiles put some extra bite into it.

Q: Really? I know you had some tax problems back home, but it wasn’t like you guys were homeless?

A: Yeah, I didn’t mind living in the south of France, actually. But it was more of a collective feeling. “Hey, none of us are going home tonight.” That attitude  pervaded the mood, and made us get down to work.

Q: There’s a lot of mythology about your nocturnal habits, Keith. How big of a party animal were you at Nellcote?


A: There were very late nights, for sure. I heard loads of stories too, but that was upstairs, baby, because where I was I didn’t see much debauchery. Yeah, it’s true: There was a continual party going on in the house. But I couldn’t write songs, make a record and debauch at the same time, man.

Q: Band members were coming in and out during the sessions. It sounded very casual, bordering on haphazard.

A: It was. A lot of those tracks came about with only two or three guys around, as we waited for everyone to show. It would be just me and Mick [Jagger], or me and Charlie [Watts]. An idea would start and you worked on it. It was haphazard. The first few weeks especially, no one quite knew their asses from their [expletive]. But once we got into the swing of things, it was like a bunker down there, and a lot of hard work got done.

Q: It was hot, instruments going in and out of tune. That can’t be a good thing for recording.


A: Yeah, all true. There was an overcome and adapt spirit about it. But if it was really terrible we wouldn’t have stayed down there that long.

Q: Then you went to LA to finish the album. How come?


A: We couldn’t do anything more to it in Nellcote. It was a great place for cutting the tracks, but it’s not a place to do vocals or any other overdubs. But the bone and the muscle was done down there in that bunker.

Q: Judging by his comments, Mick wasn’t happy with the album when it came out.

A: All I can say, as far as Mick’s concerns, I haven’t met a lead vocalist yet who thought his voice was loud enough. But then again, Mick and I and [producer] Jimmy Miller mixed it, I don’t quite get [his complaints]. But I watched him working on this [reissue] and he’s really been digging it, hearing more things than he did at the time.

Q: What about the remix of the older material?

A: My approach was basically hand’s off, don’t touch. I don’t want to do any fancy, modern ideas on top of a 40-year-old record. My job was to guard the sanctity and purity of the original tracks. But there was some overdubbing of vocals on some of the extra tracks. There was one track where we heard an acoustic guitar, then about one-third of the way through another acoustic guitar because I string must’ve broken, so I overdubbed that. I wouldn’t touch the original tracks with a barge bull.

Q: Jimmy Miller was criticized for some of his original production, which some listeners thought was a bit murky. How do you feel about it?


A: I very much like what he did with us. I don’t think another guy could’ve pulled it off. He was a great producer, great friend. He had a lot of good ideas, and he was a damn good drummer himself.

Q: Did it help that he was musician himself?


A: Yeah. It definitely made a difference. He wasn’t just a sound artist. He could play it too.

Q: Was Charlie at all threatened by Miller as a drummer?


A: Nah! Drummers love each other. They go into immediate conversation about tom toms and paradiddles (laughs).

Q: “Exile” is generally perceived as the best Stones album. Do you understand why that is?


A: Maybe because it was a double. I couldn’t put my finger on why people like it. It holds up with time. I can still listen to it, and that says something. I enjoyed gong back through it. Going back through the tracks, I could smell that basement and all the dust. It was very evocative.

Q: People view it as the quintessential Keith record in the Stones catalog. Do you agree?


A: I get it that people would think that from the fact that it was done in my house. But I never thought of those sessions as a different balance between me and the rest of the band. You’re in the middle of it, and your perception of things can be a bit blurred, especially with me.

Q: American roots music factored heavily into a lot of the songs. What inspired that?


A: It certainly wasn’t conscious. But after all we’d been touring America for six years pretty much constantly. I think “Exile” gave us a chance to pick out the things we heard in America. We do play American music, rock ‘n’ roll and blues. So a lot of things came out from working in America all those years. Within the Stones there are never meetings or a setting out of goals. The band is all about capturing a certain feel, and first you have to find out what that is. When you do, you go to work.

Q: How was your relationship as a guitarist different with Mick Taylor than with [his predecessor] Brian Jones?


A: Brian and I worked very close together as far as rhythm and leads were concerned. With Mick Taylor, he’s far more of a soloist, and I had to adjust. It was great fun to reinvent the sound of the band, because Mick certainly changed it a lot. He’s a beautiful player and it’s just a matter of finding the new slot. And I enjoyed playing with him. I was really pissed off when he left.

Q: Did you write specifically with his guitar playing in mind?


A: That goes along with songwriting. When you’re down there doing it, you can put the break into it. What’s beautiful about songwriting is just piddling around on the guitar and there it is, and something appears out of nowhere. The rest is trimming, editing and thinking. The best time is when it comes out of nowhere. That’s when I love it.

Q: How did you and Mick write at Nellcote?

A: We were trying to keep up with the band. We’d say, we haven’t got a song for tomorrow yet. We were scrambling writing them on the spot. “Happy” came like that one afternoon and several others. “Tumbling Dice,” that came quick. Started as a song called “Good Time Women.” The only difference was that we still didn’t have the lyrics, but it’s the same riff.

Q: How did you determine you’d sing “Happy”?


A: I did it before Mick arrived that day. He shows up and says, “Wow, great, there’s one I don’t have to do.” Mick joined in on the choruses. That’s what I mean by working quickly. We’d start at 2 and by 5 it’s done.

Q: I can’t imagine the record label was happy when you turned in a double album.

A: The record company wanted to cut it in half. There was quite a fight in a way, lawyers and blah-blah. The damn thing had a life of its own, insisted on being a double, and Mick and felt strongly about it. We got our way.

Q: What’s in the immediate future for the band?


A: I don’t know. I’m seeing the guys in a week or so. We’ll probably kick around some ideas then. There’s no road work this year, but maybe we’ll do some sessions.
Q: Would you like to make a new record?
A: I would, I sure would. When I see the guys, you have to take the temperature of everybody, because everybody’s gotta want to.

INTERNET CONNECTION,SUCKS.!

HAPPY BRITHDAY: Charles Robert "Charlie" Watts (born 2 June 1941)

HAPPY BRITHDAY: Charles Robert "Charlie" Watts (born 2 June 1941)

Saturday, June 1, 2013

Rolling Stones charm Chicago and welcome back Sheryl Crow as on-stage guest...


Rolling Stones charm Chicago and welcome back Sheryl Crow as on-stage guest

(APOLOGIES FOR THE DELAY BUT INTERNET SUCKS.!)

AEG Live is the promoter of the Rolling Stones' 2013 tour, which features former Rolling Stones guitarist Mick Taylor as a guest on all the tour dates. The tour has been named "50 and Counting" as a celebration of the Rolling Stones' 50th anniversary.
The May 31 concert in Chicago marked the return of "Happy," which has guitarist Keith Richards on lead vocals. "Happy" has been a mainstay at most Rolling Stones concerts since the song came out in 1972. The Stones skipped playing the song at their Chicago concert on May 28, 2013 and their Los Angeles concert on May 20, 2013. Richards has been singing "You Got the Silver" at concerts where "Happy" is not part of the set list. In addition to "Happy," the other song that Richards has been consistently singing lead vocals on for the 2013 tour is "Before They Make Me Run."
As of May 8, 2013, select concerts on the tour will feature a song performed by request from fans who voted online via the official Rolling Stones mobile app. For each concert, fans will be given a choice of five different songs to vote for, and the Rolling Stones will perform the song that gets the most votes for that concert. The Rolling Stones also did this for their "50 and Counting" concerts in 2012. At the concert on May 31, 2103, the song performed by request was "Shine a Light."
There have been celebrity guests at almost every one of the Rolling Stones' "50 and Counting" concerts.

















HAPPY DAY WOODY.!! (66)

Ronnie Wood

From Wikipedia, the free encyclopedia


Ron Wood 2011 in Sydney cropped.jpg
Wood pictured in 2011 in Sydney, Australia.
Background information
Birth name Ronald David Wood
Born 1 June 1947 (age 66)
Hillingdon, Middlesex, England
Genres Rock, blues, blues rock, rock and roll, psychedelic rock, hard rock
Occupations Musician, songwriter, record producer, painter, radio personality
Instruments Guitar, vocals, bass guitar, harmonica, saxophone, nose flute, drums
Years active 1964–present
Labels Warner Bros.
Associated acts The Rolling Stones, the Birds, the Creation, the Jeff Beck Group, Faces, the New Barbarians
Website www.ronniewood.com
Notable instruments
Ronald David "Ronnie" Wood (born 1 June 1947) is an English rock musician best known as a former member of the Jeff Beck Group, Faces, and a member of the Rolling Stones since 1975.
Wood began his career in 1964, when he joined the Birds on guitar.[1] He then joined the mod group the Creation, but only remained with the group for a short time, and appeared on a small number of singles. Wood joined the Jeff Beck Group in 1967, where he played bass. They released two albums, Truth and Beck-Ola, which became moderate successes. The group split in 1969, and Wood departed along with lead vocalist Rod Stewart to join former Small Faces members Ronnie Lane, Ian McLagan, and Kenney Jones in a new group, dubbed the Faces. The group, although relegated to "cult" status in the US, found great success in the UK and mainland Europe. The Faces released their debut album, First Step, in 1970. The group went on to release Long Player and A Nod Is as Good as a Wink... to a Blind Horse in 1971. Their last LP, entitled Ooh La La, was released in 1973. After the group split, Wood began several solo projects, eventually recording his first solo LP, I've Got My Own Album to Do, in 1974. The album featured former bandmate McLagan as well as former Beatle George Harrison and Keith Richards of the Rolling Stones, a longtime friend of Wood's. Richards soon invited Wood to join the Rolling Stones, after the departure of Mick Taylor. Wood joined in 1975, and has remained a member ever since.[1] However, he wouldn't become an official partner until 1993 when bassist Bill Wyman left the group.
Besides I've Got My Own Album to Do, Wood has recorded several other solo efforts. Now Look was released in 1975, and peaked at number 118 on Billboard, and Wood collaborated with Ronnie Lane for the soundtrack album Mahoney's Last Stand. He released Gimme Some Neck in 1979, which hit number 45 in the US. 1234 was released in 1981, peaking at number 164. He released Slide on This in 1992, Not for Beginners came out in 2002.[1] and I Feel Like Playing in 2010. As a member of the Rolling Stones, Wood was inducted into the Rock and Roll Hall of Fame in 1989, and was inducted a second time, as a member of the Faces, in April 2012.[2][3]

Contents

Music career

1960s

Wood began his career as a professional musician in 1964 as a guitarist with the Birds, an R&B band based in Yiewsley, West London. A popular live act with a considerable fan base, the Birds released several singles in the mid-1960s;[4] Wood wrote or co-wrote nearly half the songs the group recorded.[5]
By 1967 the Birds had disbanded, and Wood briefly took part in a project called Santa Barbara Machine Head before joining the Jeff Beck Group as a bassist. Along with vocalist Rod Stewart, Wood did several tours with Beck, and recorded two albums: Truth in 1968 and Beck-Ola in 1969. In between Jeff Beck Group projects Wood also worked with the Creation.[6]
In 1969, after Steve Marriott left the Small Faces, Wood began working with the remaining members of that group, returning to his instrument of choice: the guitar. This line-up, plus Rod Stewart and ex-Bird Kim Gardner, teamed up with Wood's brother Art Wood in a formation called Quiet Melon, making a handful of recordings in May 1969.[6] After the Jeff Beck Group's fifth US tour in July, Wood and Stewart joined the former Small Faces full-time, and the band's name was changed to Faces.[7]

1970s

Wood (left) while in Faces, with Rod Stewart (right)
In the first half of the 1970s, Faces released four studio albums and were among the top-grossing live acts of the period.[8] Besides his distinctive guitar work, Wood contributed harmonica, vocals and bass to the band's recordings, and co-wrote many of their songs, including "Stay With Me" and "Ooh La La". He also played on bandmate Stewart's first few solo albums, and is co-writer of the Rod Stewart songs "Gasoline Alley" and "Every Picture Tells a Story",[6] as well as several songs on Never a Dull Moment.
In 1972, Wood and Faces bassist Ronnie Lane composed the soundtrack to the film Mahoney's Last Stand;[6] the soundtrack, which was released as an LP in 1976, also features Faces bandmates Ian McLagan and Kenney Jones, along with contributions from Pete Townshend and Ric Grech. Wood also performed with Townshend, Grech, Steve Winwood, Jim Capaldi and Eric Clapton at Clapton's Rainbow Concert in 1973.
In December 1973, Wood collaborated with Mick Jagger on the song "It's Only Rock'n Roll (But I Like It)".[9] Both Jagger and Keith Richards contributed to Wood's first solo album, I've Got My Own Album to Do, released in 1974[6] and recorded at Wood's private studio in the basement of his home in London, The Wick.
Wood in Candlestick Park on tour with the Rolling Stones
Following Mick Taylor's departure from the Rolling Stones in December 1974, Wood participated in the band's March 1975 recording sessions for their forthcoming album Black and Blue.[10][11] Although still a member of the Faces, he toured North America with the Rolling Stones in 1975; the Faces announced their break-up in December of that year, and Wood was officially declared a member of the Rolling Stones in February 1976.[12]
I mean, I suppose most of the time I'm honest. That's not too bad really is it? 'Cause basically it's too easy to be a bastard in this business.
NME – August 1976[13]
In the Rolling Stones, Wood plays the slide guitar as Taylor and Brian Jones had done before him, adding both lap steel and pedal steel guitar. In addition, Wood, as his predecessors did, exchanges roles on the guitar with Richards, often blurring the boundaries between rhythm and lead, even within a particular song.[14] He also occasionally plays bass guitar, as seen during 1975 concert performances of "Fingerprint File", when Mick Jagger played rhythm guitar and bassist Bill Wyman moved to synthesizer. The Rolling Stones single "Emotional Rescue" also features Wood on bass. He has been given credit as a co-writer for a dozen songs, including "Dance", "Black Limousine", "One Hit (to the Body)" and "Had It With You".
In 1975, Wood released his second solo album, Now Look; his third, Gimme Some Neck, came out in 1979. To promote it, Wood formed and toured with the New Barbarians, playing 20 concerts in Canada and the US in April/May and the Knebworth Festival in the UK in August.[15][16]

1980s

Throughout the 1980s, Wood played as a member of the Rolling Stones; continued his solo career, releasing the album 1234 in 1981; painted; and collaborated with a number of other artists, including Prince, Bob Dylan, David Bowie, Eric Clapton, Bo Diddley, Ringo Starr and Aretha Franklin.
At the 1985 Live Aid Concert in Philadelphia, Wood along with Keith Richards performed in the penultimate set with Bob Dylan. During the performance of "Blowin' in the Wind", one of Dylan's guitar strings broke. Wood gave Dylan his guitar in order to keep the performance seamless, and played air guitar until a stagehand brought him a replacement.[17]
In 1988 Wood opened "Woody's on the Beach" in Miami, a club featuring a house band headed by Bobby Keys, hosting performances by local acts, friends of Wood's and occasionally Wood himself. The defunct hotel which housed the club allowed Wood to set up a VIP area upstairs, displaying Wood's artwork and providing private party areas. The club was popular, but was closed due to complaints from neighbours who found it too loud.[18]

1990s–2010s

Wood (left) with Keith Richards (right) as an official Rolling Stone
In 1990 Wood was made a fully-fledged partner in the Rolling Stones' financial organization.[19] During the 1990s the Rolling Stones released two studio albums and three concert albums, as well as touring in 1990, 1994–95 and 1997–99.[10]
In addition, Wood released his seventh solo album, Slide On This, in 1992; he toured to promote this album in North America and Japan. His appearance in 1993 with former bandmate Rod Stewart on MTV Unplugged resulted in a hit album entitled Unplugged...and Seated; the concert album that Wood released in 1993 from his own tour was called Slide On Live: Plugged In and Standing.[10]
Wood also contributed to Bo Diddley's 1996 album A Man Amongst Men, playing slide guitar on the tracks "Hey Baby", "A Man Amongst Men" and "Oops! Bo Diddley" and guitar on "I Can't Stand It".
Since 2000 Wood has continued to combine solo work with his Rolling Stones schedule. Following the 2001 release of his album Not For Beginners, Wood toured England and Ireland in 2001 and 2002 with his own group, the Ronnie Wood Band. The band included members of his own family, Slash and Andrea Corr. After the tour a DVD called Far East Man was released.
Wood toured with the Rolling Stones in 2002 and 2003; in 2004 he performed several one-off concerts and guest appearances, including a number of appearances with Rod Stewart. Later in the year the two expressed intentions of finishing the studio work on a collaborative album to be entitled You Strum and I'll Sing. In 2005, however, Wood was again busy with the Rolling Stones as they recorded their A Bigger Bang album. Although only playing on ten of the album's sixteen tracks, Wood embarked on the tour which ran through till August 2007.[10]
In 2005 Wood launched his own record company, Wooden Records, which has released recordings by his daughter Leah, the New Barbarians and others.
Wood with the Rolling Stones at Virginia Tech. (2005)
In November 2006, during a break in the Rolling Stones' A Bigger Bang tour, Wood played guitar on three tracks for British soul artist Beverley Knight's album Music City Soul, released in 2007.[10]
On 9 May 2009, Wood along with Red Hot Chili Peppers members Anthony Kiedis, Michael "Flea" Balzary, Chad Smith and musician Ivan Neville performed under the name, "the Insects" at the fifth annual MusiCares event honoring Kiedis.[20]
On 11 August 2009 Wood joined Pearl Jam on the stage of Shepherd's Bush Empire in London for a performance of "All Along the Watchtower".[citation needed]
Ronnie Wood, Bill Wyman and Mick Hucknall at Faces reunion performance, 25 October 2009
On 25 October 2009, Wood, Ian McLagan and Kenny Jones joined forces for a Faces performance at London's Royal Albert Hall on behalf of the Performing Rights Society's Music Members' Benevolent Fund. Bill Wyman played bass and lead vocals were shared by several performers, notably Mick Hucknall.[21] Rod Stewart, who had earlier denied rumours of plans for a Faces reunion in 2009,[22] was not present.
On 2 November 2009 Wood was given an "Outstanding Contribution" award at the Classic Rock Roll of Honour ceremony in London. Pete Townshend presented the award.[23][24]
Since 9 April 2010, Wood has presented his own radio show on Absolute Radio. Airing on Saturday night from 10pm, the show lasts one hour and consists of Wood playing tracks by artists he has worked with and other personal favourites.[25]
In May 2011 Ronnie Wood won the Sony Radio Personality of the Year award for The Ronnie Wood Show.[26]

Personal life

Wood with promoter Joseph Donofrio, 2006.
Wood was born in Hillingdon, London, into a family of English "water gypsies" (river/canal barge operators, sometimes also called "bargees"). He has said that his generation was the first in the family to be born on dry land.[27] He grew up in Yiewsley and attended St Stephen's Infant School, St Matthew's Church of England Primary School and Evelyns Secondary Modern School Yiewsley.[28]
Both of his older brothers, Art and Ted, were graphic artists as well as musicians. Ted Wood died in 2004, and Art Wood in 2006.[29]
Wood has four children. Jesse is his son with his first wife, Krissy (née Findlay), a former model to whom he was married from 1971 to 1978; (during this time he had an affair with George Harrison's former wife, Pattie Boyd). Krissy died in 2005. In 1985 Wood married his second wife, Jo Wood (née Karslake), mother of his daughter Leah and son Tyrone; her son Jamie from a previous relationship. Also a former model, Jo Wood has developed a successful line of organic beauty products.[30] The Woods own homes in Kingston Vale in Greater London and County Kildare, Ireland.[31]
Wood has been frank about his struggle with alcoholism; although reports between 2003 and 2006 had indicated that he had been sober since the Rolling Stones' 2002-03 tour, in June 2006 it was reported that Wood was entering rehab for a couple of weeks following a spell of increased alcohol abuse.[32][33] By July 2008, ITN news reported that Wood had checked himself into rehab a total of six times; the last time being before the wedding of his daughter Leah. He had plans once again for a seventh admission.[34]
In July 2008 he left his wife for Ekaterina Ivanova (variously reported to be between 18 and 21 years old at the time), whom he had met in a London club.[35] Wood checked into rehab again on 16 July 2008.[36][37] Jo Wood filed for divorce and was granted a decree nisi in November 2009.[38]
On 3 December 2009, Wood was arrested over assault "in connection with a domestic incident".[39] He was officially cautioned for this offence on 22 December 2009.[40]
On 30 October 2012, Wood's spokesman confirmed, he is to marry his girlfriend of six months, 34-year-old Sally Humphreys, the owner of a theatre production company, 31 years his junior.[41] On 21 December 2012, Wood married Humphreys.[42][43]

Artwork

Wood is a well-known visual artist. When he was a child his drawings were featured on the BBC television programme Sketch Club; he won one of that programme's competitions, an achievement he refers to as his "awakening to art".[44] He went on to train at the Ealing Art College, as both his brothers had. Other notable musicians, Freddie Mercury of Queen, and Pete Townshend of the Who, also attended in the 1960s.[45]
Wood's paintings, drawings and prints frequently feature icons of popular culture and have been exhibited all over the world. Several of his paintings, including a work commissioned by Andrew Lloyd-Webber, are displayed at London's Drury Lane Theatre.[46] Art critic Brian Sewell has called Wood "an accomplished and respectable artist";[47] and the South Bank Show has devoted an entire programme to his artwork.[48] Liberty & Co. has produced a clothing line using fabrics printed with Wood's art.[49] Wood has maintained a long-standing relationship with the San Francisco Art Exchange who first exhibited his work in 1987.[50] Wood is also the co-owner (along with sons Jamie and Tyrone) of a London art gallery called Scream.[51]

Books, films and television appearances

To date, Wood has three books to his credit: a short collection of autobiographical anecdotes entitled The Works, illustrated with Wood's artwork, co-authored by Bill German and published in 1988; a limited-edition art book entitled Wood on Canvas: Every Picture Tells a Story, published in 1998; and his 2007 autobiography Ronnie, written in collaboration with his son in law Jack MacDonald and Jeffrey Robinson.
In addition to numerous Faces and Rolling Stones concert films, broadcasts and documentaries, Wood performed alongside the Band, Bob Dylan and many others in the finale of the documentary The Last Waltz, filmed in 1976.[52] He has made cameo appearances in feature films including The Deadly Bees (1967), The Wild Life (1984) and 9½ Weeks (1986), as well as on television programmes including The Rutles: All You Need Is Cash (1978).[53][54] In October 2007 Wood appeared on the television motor show Top Gear, achieving a celebrity lap time of 1:49.4.[55]

Solo discography

Studio albums

Live albums

Collaborative album

Compilation